Total death metal awesomeness from the pits of Indiana, a 50 minute brutal and catchy gore ride! If you like great death metal, this is for you!

The LP versions comes in heavy cardboard stock LP jacket with the full colour artwork by Jon Zig and with sturdy cardboard insert with lyrics and credits.

Presented on 45 RPM double LP, this is the regular black vinyl edition.

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New Jersey malevolents FUNEBRARUM uncloak their third full-length; the sheer magnitude of “Beckoning The Void Of Eternal Silence” rains down world-ending Doom tenebrosity with searing scowls of Death Metal assailment.

With a perturbed atmosphere writhing around the entire record, the pulsation of which “Beckoning The Void Of Eternal Silence” breeds is an expertly calculated Deathdoom craftsmanship and yet emitting at times a surreal bridging between extreme genres in orchestra-like precision. The core DNA of FUNEBRARUM has remained intact albeit the exalted darkness have shaped themselves to be cut from a different cloth.

Recorded at Elektric City Recording (Ascended Dead, Coffin Rot, etc) by Charles Koryn with additional recording and mixing duties by Stephen DeAcutis at Sound Spa Studios (Ripping Corpse, Evoken, Disma, etc). Mastered by Daryl Kahan at Winterdark. Cover artwork by Daryl Kahan.

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“After completing two European Tours with these fallen souls from the Divided Kingdom, we made a pact to forge our alliance on the Fire of Darkness and take over the whole world with our Unholy Musick!” Exclaims legendary axeman Beelzeebubth, eluding to the two joint European tours undertaken by the bands.

The split is a true testament to MYSTIFIER’s longevity across five decades of blasphemic death metal. Salvador Bahía’s infamous sons remain among black metal’s true architects, and the rituals featured within Demystification of the Fallen Idols stand tall beside their classic material.

The split also marks CRAVEN IDOL’s 20th anniversary. Born in the choking smoke of London, the Finno-British underground veterans swear allegiance to the first wave of extreme metal, carrying the fire of Forked Tongues across European and North American stages.

“It is a rare privilege to mark our twentieth anniversary alongside our idols and Brazilian brothers, the mighty Mystifier. Two European tours cemented our pact, and this split on Dark Descent Records is its enduring monument.”

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Emerging from the ‘90s underground, both acts have remained devoted to death metal’s original gnarly spirit and uncompromising ethos – a conviction that defines this release! Having crossed paths repeatedly in the scene and on tour, including 2018 dates with Undergang and Corpsessed, the connection between the two camps runs deep.

“We recorded 11 songs for our third album Floating in Timeless Streams and felt that two of them worked especially well together, so we decided to reserve those for a split,” explains Tuomas K. of Lie in Ruins

It was Strychnos vocalist Martin Leth Andersen who set things in motion: “I like their back catalogue and know Tuomas very well from touring, so it was a no-brainer for me to reach out.”

Strychnos also contribute two tracks – recorded in 2023 during the Armageddon Patronage sessions. “The songs were left off the album not because they lacked quality, but because they didn’t quite fit the overall puzzle of the record,” Andersen explains. “‘Carnival of Tragedies’ and ‘Materiens Palads’ (Palace of Matter) explore a complete reversal of mankind’s dominance and the horrors of the material world, alongside a yearning to transcend into the otherworld.”

The Lie in Ruins side of the split was produced by trusted engineer Henri at Trollhouse Audio. Strychnos enlisted Lasse Ballade of Ballade Studios for recording and mixing duties, with mastering completed by Tore Stjerna at Necromorbus Studios.

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After signing with Dark Descent Records prior to the August 2015 release of the Interdimensional Extinction EP, BLOOD INCANTATION returns with a 30-minute cerebral whirlwind of powerful atmospheric death metal. The intense and otherworldly technical/ambient/funeral death metal of Starspawn leaves the listener feeling transcendentally disembodied at the end of an unknown dimension.

Produced entirely in analog, the energy and magnetism of live BLOOD INCANTATION is tangibly melting through the speakers, and the songwriting, production and performance constellations have all fully aligned.

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Once again recorded, mixed and mastered on familiar ground at Priory Recording Studios in Birmingham, England by Greg Chandler (ESOTERIC) and emblazoned with a much-expanded outer and inner gatefold piece by Zoetrope artist-extraordinaire Santiago Caruso (as well as additional insert art contributed by Nuno Zuki), The Womb of the World further defies the dogmas of death and black metal by dragging them deeper still into the depths of textural and timbral delirium, more so than its predecessors even dared fathom, augmented throughout its 4 chapters by the sinistrous siren song of The Orchestra of the Silent Stars.

The venomous tongues of guest-contributor slithering serendipity herself Jaded fucking Lungs (ADORIOR) maniacally guide And You Shall Know Perdition As Your Shrine into the album’s eponymous climax, a tumultuous ending in fire certain to be the apotheosis of QRIXKUOR’s vision to date.

The Womb of the World is the echo of time tearing itself apart, a dauntless deliverance of dissolution. Perhaps now the seas can be still at last…

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A maelstrom if grinding riffs and blast-beats fires into life with psychotic vocals and brutal grooves. Instantly the captivating gore-soaked violence should have fans of grind losing their minds to the ferocious pulsations of guttural ichor. From the vocal rage to the tempo changes, this record will keep you tense for 20 minutes as it ebbs and flows with all of the madness of a truly extreme band. With some darkened atmospherics creeping out, although not spoiling the cerebrally smashing pace, there is more to this than just being brutal but they still jackhammer your skull to pieces from start to end.

Amidst the insanity, the band give some moments of headbanging groove that they sling through your flesh like a rusted meat hook. Don’t get too comfortable though, more raging violations are never far away… This record is short, repugnant and with an intensity that bears down like a sonic predator ready to rip you limb from limb. There is no fat to cut and every second feels urgent and essential as each song gives a new dimension of disgust to the offal-ridden opus. Fans of death-grind destruction need look no further for that new cut of beefy barbarity to pound their skulls to. Terror Corpse, as their name suggests, offer you rotten anxiety and savagery with the hostility cranked to eleven.

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